☆ ☆ ☆ ☆
Lola (1981) – R. W. Fassbinder
Bathed in
candy-colored lights, Armin Mueller-Stahl succumbs to capitalism's temptations,
while Barbara Sukowa negotiates her self into the power elite. Fassbinder's
stylistically audacious and artificial film tackles politics, economics, and German/film
history with satirical precision.
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