☆ ☆ ☆ ☆
Underworld (1927) -- J. von Sternberg
Pre-Dietrich silent
film from von Sternberg is a rather rollicking gangster yarn with a couple of
great set-pieces (the mobsters' ball and the final shoot-out, of course). The
three or four central characters are larger than life, propelled through this
dream-world (of Chicago?) by the usual blunt motives: love and jealousy (but
also loyalty). A cut above yer usual silent fare (but not at a Murnau
standard).
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