☆ ☆ ☆ ☆
Lincoln (2012) -- S. Spielberg
Daniel Day Lewis is a
folksy off-color but wise Abe in this re-telling of the last days of Lincoln, falling
not far from where Henry Fonda might have wound up if his portrait of Young Mr.
Lincoln had gone on (that voice!).
Spielberg's film exels at creating drama around the passage of the 13th
Amendment to the U. S. Constitution (to outlaw slavery) and the congressional
shenanigans needed to get the bill passed (aided indubitably by James Spader as
Bilbo). However, as good as Day Lewis
is, the character study seems thinner than the ace replications of 19th century
battlefields and chambers might lead you to believe. It's not that he hasn't fully dissolved into
this character with all his stories and speeches, it is just that we feel kept
at a distance, despite the intimate moments on offer (between him and Sally
Field, or the random generous moment with another human, black or white, high
or low status). But that's probably more
Spielberg than Day Lewis -- or perhaps that's how Lincoln really was.
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