☆ ☆ ☆ ☆
The
Loneliness of the Long Distance Runner (1962) – T. Richardson
One of the key films of the Free Cinema
(kitchen sink) movement in Britain, sort of a translation of Italian neorealism
to working class English settings. In
this case, Tom Courtenay plays a young lad from Nottingham who finds himself
sent to a reform school (borstal). There
he catches the eye of the headmaster (an aging Michael Redgrave) who seeks to
capitalize on Colin’s (Courtenay’s) nascent running skill for a big sports
challenge with a local public school (i.e. private school in the UK
system). The beautiful B&W
cinematography often becomes lyrical on the boy’s runs through the woods around
the school, where we are also treated to flashbacks that tell the story of his
home life: ailing dad, busy mum, first love, trouble with the law, ambition not
to give in. This latter trait (which in
later times would be manifest as punk rock perhaps) sets him up for conflict
with the headmaster. Director Tony
Richardson laces the film with jump cuts, jazz, and other touches borrowed from
the concurrent French new wave – but these add rather than distract from the proceedings.
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