☆ ☆ ☆ ☆ ½
The
Thin Blue Line (1988) – E. Morris
This is Errol Morris’s incredible
non-fiction film that got a man released from prison. Watching it again after many years, I found
its blend of talking heads and re-enactments still just as gripping as in the
1980s. And unfortunately, the issues it
raises, about truth, bias, motivation, and memory are still just as pressing
for the innocent men and women facing murder charges and the death
penalty. As we know, latter-day DNA
evidence has exonerated scads of people improperly convicted. In Randall Adams’ case, the evidence against
him was provided by unreliable witnesses (not crime scene evidence) who are
more-or-less emphatically discredited by Morris’s documentary (including from
interviews he conducted but aren’t in the actual film). His re-enactments presented clues (such as
the chocolate shake) in a way that might have been more compelling than in the
actual trial. However, one could validly
ask whether such techniques could be used to create more bias rather than
introduce more truth. As I’m sure Morris
would agree (especially given his later films, such as The Fog of War), reality
is in the eye of the beholder and the filmmaker’s vision is not necessarily
clearer. However, in this case, it seems
that Morris stumbled into a version of the truth and set the groundwork for the
current fever-pitched interaction between media and reality.
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