☆ ☆ ☆ ☆
Melvin
and Howard (1980) – J. Demme
American films from the 1970’s have a
different feel, although I suppose I’m thinking pretty specifically about films
by Bob Rafelson or Bob Altman. But there
are probably countless other examples of these kinds of character-driven (not
formulaic) films that are funky and good-looking but not overly stylized with
great soundtracks. Maybe we should throw
Scorsese in here or F. F. Coppola and that might make sense since Jonathan
Demme, like these two, began with exploitation films. Sure, Melvin and Howard is a 1980 film but it
clocks in just under the wire before the blockbuster really changed things for
the worse and marketing took over art in Hollywood. But I digress. Melvin and Howard is an easy going tale based
on the real story of a blue collar man who picks up Howard Hughes one night in
his pick-up truck and ends up being mentioned in Hughes’ will (to the tune of
156 million). The movie actually focuses
on Melvin Dummar (Paul Le Mat) and his life, with all of its ups and downs,
marriages and divorces to wacky Mary Steenburgen (a stripper/dancer), and move
up to Utah from Vegas. Demme films it
all on location and it feels real and very 1970s America when people coped as
best they could and often gave it their all.
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