☆ ☆ ☆ ☆ ½
The
Count of Monte Cristo (1934) – R. V. Lee
Swashbucklin’ adventure at its best!
Robert Donat plays Edmund Dantes, a poor sailor vilely and wrongly imprisoned
in an island jail by corrupt French officials.
Indeed, the key is metaphorically thrown away when his phony death
certificate is signed by wicked Louis Calhern – thus, his fate is sealed
without a trial even (at least not yet).
In prison for a decade or more, he finally meets up with another
long-bearded mentor (who has tunnelled for 8 years to reach him) who then
schools him in science and all other arts until finally….a clever escape! But I shan’t tell Alexandre Dumas’s entire
story here. Suffice it to say, with the
assistance of a buried treasure on another lonely isle, Dantes emerges as the
newly titled Count of Monte Cristo and slowly seeks justice and revenge on
those who imprisoned him. Each episode
is rousingly triumphant (as the score cues us to cheer) and Donat’s performance
is impeccably classy and full of honour throughout. Although the supporting cast isn’t all up to
his standard, there are a few standout familiar faces (for example, what’s
Preston Sturges fave Raymond Walburn doing here as an enjoyably pompous
villain?). Yet things are so wonderfully
surging that viewers young and old can’t help but be swept along to the exciting
conclusion. Touché!
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