☆ ☆ ☆ ☆
Vengeance
is Mine (1979) – S. Imamura
Imamura’s true crime film is
extrapolated from a book based on authentic transcripts from the case of a
serial killer in 1960s Japan. Yet, it
seems to occupy some other private and personal space that transcripts would
not describe. Not that we get any
insights into the motives of the killer – although a few possibilities are
tossed around: his family’s Catholicism with its strict moral codes and
minority/outcast status in Japan; his father’s inability to stand up to wartime
military transgressions and suspected further hypocrisies; and/or the cultural
void left in Japan after the war, surrender, and imported dominance of
American-styled capitalism. However, these hints are far from clear. Mostly, we see Ken Ogata as the amoral lead
character, both in the present, being interrogated by police, and in the past, travelling
Japan as a con-man who occasionally and inexplicably murders. He also has an insatiable appetite for sex. At one point, he seems to form a bond with a
woman (Mayumi Ogawa) who runs an inn whose mother had been in prison for murder
– maybe they both feel disillusioned with parents/family life. However, it doesn’t end well for her…or
him. Any vengeance is reserved for the
State or God.
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