☆ ☆ ☆ ☆
Red
Psalm (1972) – M. Jancsó
Miklós Jancsó’s Red Psalm is a psalm, or
hymn, to socialism, featuring song and dance in a Hungarian meadow. Jancsó uses
long takes with choreographed comrades in peasant dress (or nude) and a
wandering minstrel on guitar. They are
opposed by the military and by the church – and of course by the oppressive
land-holding classes. The Internationale
is often sung. Socialists die in their
conflicts but they also win over and sometimes kill the opposition. All of this is staged theatrically in the
meadow. There is no plot but only the
message (although apparently this is based on a real peasant revolt in the
1890s). At times, there are hundreds of
actors. The shots are incredibly long
and the camera moves from group to group, high and low, weaving between people
and the many horses that are ridden amongst them; any mistake would have meant
starting all over again. The film is
often beautiful, including a shot of a burning church and another of a stream
running red with blood. Indeed, there is
much symbolism, highlighted by red ribbons…and blood. Solidarity is strong and
compelling here in 1972 – the only sad and sombre note is that their optimism
(underscored by an awareness of the difficulty of the struggle) has not been
realized more than 40 years later. Instead, things appear to have gotten worse
not better for the cause. Viva la revolution!
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