☆ ☆ ☆ ☆
Meet
Me in St. Louis (1944) – V. Minnelli
The film projects a homey (dare I say
magical) glow of warmth and nostalgia, even for a time and place that none of
us ever knew (St. Louis, MO, 1903, based on a memoir by Sally Benson). We follow the Smith Family, helmed by Leon
Ames and Mary Astor, across an eventful year that culminates with the
announcement that they must move to New York City. Of course, this throws everything into
chaos. After all, daughter Esther (Judy
Garland) has just begun a starry-eyed romance with handsome boy-next-door John
Truett (Tom Drake). Things aren’t quite
working out for older daughter Rose (Lucille Bremer) and her hoped-for beau but
she doesn’t want to leave St. Louis. Nor
do the younger kids, Tootie (Margaret O’Brien) and Agnes (Joan Carroll). During each season, we see their lives
revolve around seasonal events (Halloween, Christmas) and we get a sense of the
community spirit that exists amongst kids and families. Vincente Minnelli masterfully directs film so
that the interspersed musical numbers, mainly by Garland (and featuring “Have
Yourself a Merry Little Christmas”), seem to further the plot rather than
distract from it. Technicolor works its
wonders. I’m glad I stopped by to spend
some time; this is true escapist fare (although perhaps Americans might be more
likely to resonate with the major plot dynamic involving a move and that might
have positive or negative connotations).
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