☆ ☆ ☆ ☆
Family Life (1971) – K. Loach
This
early Ken Loach film (his third – and the one that immediately followed his
first big hit, Kes, 1969) shows him continuing in a social realist vein, detailing
the often grim lives of the working class in Britain. In a style that echoes the concurrent
documentaries by Frederick Wiseman or the Maysles, we observe interactions
between members of a family in a tenement house and sometimes discussing their
problems with a psychiatrist. Wiseman
may be the better reference point because Loach holds similar concerns about the
amount of control placed on individuals by institutions – in this case, parents/family
but also the psychiatric institution and society itself. The screenplay was by David Mercer from his
play, In Two Minds. Sandy Ratcliff (who
died this year, 2019) plays a 19-year-old-girl, living with her domineering parents. She is clearly a victim of the generation gap
and when she falls pregnant to her open-minded boyfriend, her mother forces her
to have an abortion. The resulting
depression leads to much conflict at home and eventually her parents put her
into a mental institution. Fortunately, her
ward/group is run by a progressive Laingian who clearly believes that parental and
societal control are to blame for Janice’s problems; however, soon he is fired
by the hospital and she is moved to a new ward and given drugs and shock
therapy. And things only get worse from
that point on. Some consider this film
propaganda but despite the nonstop oppressive things that happen to Janice,
this is a story that deserves to be told, even though it is over the top (or
perhaps especially because it is over the top).
Loach is polemical but still allows us to see the confusion of the
parents, themselves the product of a different era and subjected to the same
types of control that they now seek to impose.
Obviously, it is a vicious cycle that keeps the working class in their
place (in a factory or similar). You
probably want to choose an appropriate time to expose yourself to this one.
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