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The
Conversation (1974) – F. F. Coppola
Imagine how paranoid Harry Caul (Gene
Hackman), a professional wiretapper/surveillance expert worried about his own
personal information, would be these days!
Coppola’s film almost seems quaint with its Radio Shack version of
technology – but we can all easily imagine the experts who know too much and
spend their time making themselves invisible online (and everywhere else). So, the film is still relevant, perhaps even
more so, as we contemplate the minds of those who scrape social media for
personal data (a la Cambridge Analytica) and sell it on for personal
profit. Do they ever ruminate about the
damage they might cause in other people’s lives? This is Harry’s predicament. He’s on a job, recording a conversation
between a couple who clearly seem to be having an affair. He’s proud of his technique, capturing every
word even though they are constantly on the move, walking through a crowded
city square in San Francisco. But he
begins to suspect that his employers might have sinister plans for these two
and he decides to keep the tapes from them, dwelling on them over and over and
over. Sound design and editing was by
Walter Murch – I listened in headphones and was suitably impressed. Was there a “cheat” at the end? Very probably
so – but let’s take it as expressionistic (Harry now hears that sentence
differently, after he knows more).
Similar to other thrillers of the Watergate era (The Parallax View, All
the President’s Men), this could leave you seeing conspiracies everywhere. But let’s just hope that no one cares enough
to find us in the sea of information flowing everywhere…
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