☆ ☆ ☆ ☆
If
Beale Street Could Talk (2018) – B. Jenkins
I really enjoyed Barry Jenkins’ best
picture winner, Moonlight (2016), so it comes as no surprise that Beale Street
is also extremely cinematic with a sort of hazy glow that places it back in our
memories of a time now past. But it is
also as relevant as today’s news, given its explicit discussion of the personal
and institutional/systemic racism that Black people face. It is a deeply romantic movie too, with its
main focus on the loving relationship between Tish (KiKi Layne) and Fonny
(Stephan James), and the trials they face as he is unjustly accused of rape
even as she discovers she is pregnant with their child. The differing points of view on this
situation (the couple is young and not married) from both sets of parents seems
to interrogate an internal debate in the Black community. Of course, all of this is from James Baldwin’s
novel (which I haven’t read); Beale Street in New Orleans is suggested (in an
opening quote) to represent all of the Black districts in cities around the world,
thus staking a claim for universalism in the issues presented in microcosm (in
NYC) here. In the end, this probably doesn’t achieve the heights that Moonlight
did, as it comes to a rather anti-climactic (but realistic) conclusion, but
still very much worth watching.
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