☆ ☆ ☆ ☆
Sound of the Mountain (1954) – M. Naruse
Setsuko Hara stars
as Kikuko, a young housewife who lives with her husband and older in-laws. Her
husband (Ken Uehara) is often away until late in the evening (in fact, he is
cheating on her with a mistress). To divert her attention from this, she devotes
herself to taking care of her parents-in-law and forms an especially close relationship
with her father-in-law, Ogata-san (Sô Yamamura). Indeed, the film focuses in on their tender feelings
toward each other, although it is clear that there are many roadblocks that
prevent open expression of these feelings. His tense relationship with his own
daughter, going through a divorce, provides a counterpoint. Eventually,
Ogata-san decides to intervene in his son’s affair by confronting the mistress
(but not, at first, the son). At the
same time, he learns a deep and painful secret about Kikuko which reveals much
about her character (and her private response to her husband’s behaviour). Director
Mikio Naruse (a great Japanese master) captures a poignant nuance, an unspoken
love even, in the final meeting between the two leads. Of course, a family drama such as this will
always remind viewers of Ozu (particularly a father-daughter drama starring
Setsuko Hara!) but Naruse was his contemporary and his shomin-geki are often
just as good (although much sadder).
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