☆ ☆ ☆ ☆
Promising Young Woman (2020) – E. Fennell
This is clearly a
provocation but one that is absolutely grounded in reality. No one can deny
that women’s maltreatment at the hands of men is a constant in human history
and continues to this day. Fortunately, there appears to be a growing awareness
of this problem and public resistance to its continuance. (I’m talking not only of sexual assault but
of a range of behaviours that perpetuate gender inequality). Emerald Fennell’s
film is pitched as a very black comedy, although one would be forgiven for not
finding any reason to laugh. I guess there might be spoilers below (but I won’t
reveal the ending). Carey Mulligan plays Cassandra Thomas, who has taken on the
role of “avenging angel” to seek revenge on men for the abuse of her best
friend years earlier; she pretends to be drunk, gets picked up by men, and then
confronts them to give them a scare. This is pitched as a reaction to trauma
and seems accompanied by depression – her life is stalled, she’s dropped out of
medical school, works at a coffee shop and still lives with her parents at age
30. Yet some hope for Cassie seems
possible when she meets Ryan (Bo Burnham), a funny and sensitive doctor
(formerly in her med school class). However,
through him, she learns that her friend’s rapist has returned from England and
is about to get married – this intensifies her quest for revenge on the
specific perpetrator(s) of the outrage against her friend. So, is it funny? The banter between Thomas
and Burnham is witty and Fennell keeps things upbeat, particularly with the use
of (extremely well selected) pop songs.
But there is no warding off the darkness here – and I’ve read that the
current ending was originally omitted completely which would have sharpened the
impact even more – you won’t be able to shake off the grim feeling that
results. Of course, if this sort of film
can be a cause (and not just a consequence) of changing attitudes toward women,
then we need more like this, no matter how difficult.
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