Tuesday, 18 October 2022

Eyes Without a Face (1960)


 ☆ ☆ ☆ ☆ ½

Eyes Without a Face (1960) – G. Franju

Exceedingly creepy, even gruesome, film (although with really very little blood and gore) that explores the complicated emotions of a (clearly immoral and possibly mad) doctor (Pierre Brasseur) who is desperately seeking a breakthrough in skin-grafting technology to assist him in a face-transplant for his terribly disfigured twenty-something daughter, Christiane (Edith Scob), whose emotions are also explored. With the help of his nurse-assistant (Alida Valli), herself a recipient of a prior skin-graft (and therefore indebted to him), the doctor kidnaps young women and surgically removes their faces for transplanting to his daughter (a procedure that the donor does not always survive). Between surgeries (which often fail), Christiane wanders the doctor’s mansion in an expressionless white mask, adding a surreal and dreamlike quality to the proceedings. Increasing the anxiety level of viewers (and characters in the film), the doctor keeps a kennel full of dogs for his experiments in the basement whose constant barking provides a soundtrack (when Maurice Jarre’s weird circus-like music isn’t playing).  But soon, the police are closing in and the gig is up … or is it?  With beautiful and stark black and white cinematography by Eugen Schüfftan (who won the Oscar for The Hustler, 1961, the next year), this was the high-water mark for director Georges Franju (although I also recommend his remake of the silent serial Judex, 1963). Guaranteed to unsettle.


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