☆ ☆ ☆ ☆
49th
Parallel (1941) – M. Powell
An early one from Powell and Pressburger
that is a masterwork in sympathetic propaganda.
And when I say sympathetic I mean to say that they choose not to totally
villainize all Germans but instead choose to make one or two human. In fact, it is the German band of submariners
who escape when their U-boat is destroyed in Hudson Bay, Canada, who we follow
through the film as they escape across Canada.
A lot of British stars waived part of their fees for the war effort to
appear: Laurence Olivier as a French
Canadian trapper (!), Anton Walbrook as the leader of a German Hudderite
settlement, Raymond Massey as an AWOL Canadian soldier, and Leslie Howard as a
British expert on Native Americans camping in the Rockies. Eric Portman plays the dastardly leader of
the Nazi group to evil effect but not without some humanity given his plight. Powell knows that propaganda should only work
(on the intelligent) to the extent that it feels realistic and like it speaks the
truth rather than demonizing and over-doing it.
Message aside, one can already see Michael Powell’s genius as a director
with montage, fades, efficient use of screen time, and nearly surreal moments
of beauty shining through.
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