☆ ☆ ☆ ☆
Night
Moves (2014) – K. Reichardt
Director Kelly Reichardt’s latest film
is strikingly photographed in the Pacific Northwest and hypnotic in its
droney-rhythms (Reichardt is her own editor).
Jesse Eisenberg’s inhibited performance maintains the minimal approach
-- we never really get inside his character, an eco-terrorist. The same is true of Dakota Fanning’s rich kid
– what are her motives for taking part in the destruction of the dam? Organizer Peter Sarsgaard’s role is a bit
more defined and he helps to move the movie (and the other two) along into an
almost thriller. Moral questions abound
and despite a few bum notes (would that person actually say/do that?) the film
lays them out there for us to consider without much editorializing. In the end, this seems a movie about a place
in space and time (at a certain point in the Earth’s history and in a certain
geographical and cultural location).
Reichardt charts things well but the plot seems almost beside the point
and the glorious cinematography, artful shots and intriguing directorial
decisions captivated me more.
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