☆ ☆ ☆ ☆
I'd pretty much avoided John Wayne (except Stagecoach and The
Searchers) up until this point, primarily because of his personal politics. But
Hawks made me give him a chance and it paid off. Audience identification with Wayne is pretty
ambivalent here (as in The Searchers) which suits me fine (Monty Clift is the
real hero) and the directorial flourishes (love those yee-haws!) really make
the picture. Only the script falters in places.
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