☆ ☆ ☆ ☆
Hail, Caesar! (2015) – J. Coen & E. Coen
I’m a movie nerd, so I found the Coen Brothers’
latest homage to the old days of the Hollywood studio system highly
enjoyable. Josh Brolin (channelling
Brian Donlevy?) plays Eddie Mannix, The Fixer, who prevents the stars from
causing scandals and keeps the day-to-day production routines running smoothly
(mediating between the studio head and the directors and stars, fending off
gossip columnists, engineering publicity stunts, etc.); apparently he’s based
on a real figure from MGM’s golden days.
This time, star George Clooney has gone missing, presumably on a bender
but actually kidnaped by a communist cell (screenwriters, of course). Other real Hollywood luminaries also make
appearances: Scarlett Johannson facing a
Loretta-Young-styled pregnancy scandal, Ralph Fiennes as a fastidious British director,
Tilda Swinton in a dual role as duelling gossip colunnist sisters, Channing
Tatum as a dancing star. The events as
laid out hew pretty close to what is known about Hollywood history – no
surprises here and not much attempt to critique or revise. However, the loving recreations of classic
genres (the Busby Berkeley synchronised swim, the western, the very gay
musical, the sitting room drama, and the sword and sandals religious epic) are
top notch. I chortled out loud on
numerous occasions and the Coens’ intelligence is on display discussing some
pretty high level content (religion, communism) that doesn’t often make it to
the mainstream cinema. This isn’t a
masterpiece but it fits well into the upper half of the filmmakers’ oeuvre.
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