☆ ☆ ☆ ☆ ½
The Big Heat (1953) – F. Lang
Appearing later in
the film noir cycle, when things start to go a bit psychotic, Fritz Lang’s The
Big Heat starts with the straightforward investigation of a cop’s suicide and
then continues to ramp up the intensity for the remainder of its running time. Glenn
Ford, at his cynical best, is homicide detective Sgt. Dave Bannion. He first
sees Tom Duncan’s suicide as an open-shut case but when a B-girl from a local
bar contacts him with contradictory information after seeing the story in the
paper, he decides to dig deeper. Duncan’s widow is clearly hiding something and
after the B-girl is murdered, he suspects that the local crime kingpin, Mike
Lagana (Alexander Scourby), and his key henchman, Vince Stone (Lee Marvin), may
have something to do with it. He is
warned off the case by his superiors but proceeds anyway (as you do, in films
like this). A tragic turn of events
leaves Bannion raw and unbridled and he is forced to turn in his badge.
Surprisingly, Stone’s girlfriend Debby (played superbly by Gloria Grahame) becomes
an important ally. Lang does not shy away from letting us see that Bannion may
be not much different from the gangsters he pursues in his willingness to use
violence to achieve his goals. Indeed, the worldview here is one that sees
humans pursuing their self-interest above all, perverting the institutions set
up to ensure a fair and humane society (Bannion is no exception). Dark and
cynical, this is one of the best noirs of all time.
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